Liyana Badr’s A Balcony over the Fakihani, Pillars of Salt, by Fadia Faqir, and A Woman of Five Seasons, by Leila Al-Atrash :: A Balcony over the Fakihani

Liyana Badrs A Balcony over the Fakihani, Pillars of Salt, by Fadia Faqir, and A Woman of Five Seasons, by Leila Al-AtrashIn Liyana Badrs novella, A Balcony over the Fakihani, the main character, Suad, meets and falls in love with a man named Umar, who towards the books end is killed in battle. What occurs between the meeting and the death constitutes the authors attempt to offset the environment in which she grew up. Similarly, Pillars of Salt, by Fadia Faqir, and A Woman of Five Seasons, Leila Al-Atrash, tension on and investigate womens lives in the Arab world. At the very least, trio issues are at work in these books. One string explores the oppressions and the joys, the perversities and the passions of Arab women. another(prenominal) theme is Arab mens behaviors and attitudes toward women. The final topic, which encompasses the other two, is the idea of literary form that is, the particular ways in which the authors represent their experiences through writing. taken together , these novels, in both shape and content, explore what it means to be a woman in an Arab, a mans, world.One early guess in A Balcony Over the Fakihani is emblematic of the novella as a whole, as well as of the novels of Faqir and Al-Atrash it encapsulates the authors artistic approach to the intervention of their lives, the hostilities they must endure, the roles of Arab men and women, and the different ways both act deep down their setting. To begin, Badr artfully sets the stage in an almost journalistic fashion, parodying a newsprints objective approach in the face of so much human tragedy May 1973tank taw and simple machine gun fire on Shatila camp (Badr, 45). This crafty setup is part and dower of the way in which the author handles her topic. Only through art washbasin she comprehend and process these events. In this respect, The sky was lit with green and wild stars, and the thunder and lightening wasnt real thunder and lightening, but bullets from machine guns and small arms. In the midst of such fighting, Suad noticed a white hair in the middle of her head. I couldnt commit a babys hair could turn white (46). Her distrust is compounded when Im Hamdi sees the white hair and cried out and wailed. Suad, in turn, is overcome by emotion. The two women hug and cry.